Robert byron road to oxiana

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robert byron road to oxiana

The Road to Oxiana by Robert Byron

In 1933 the delightfully eccentric Robert Byron set out on a journey through the Middle East via Beirut, Jerusalem, Baghdad and Teheran to Oxiana -the country of the Oxus, the ancient name for the river Amu Darya which forms part of the border between Afghanistan and the Soviet Union. His arrival at his destination, the legendary tower of Qabus, although a wonder in itself, it not nearly so amazing as the thoroughly captivating, at times zany, record of his adventures.
In addition to its entertainment value, The Road to Oxiana also serves as a rare account of the architectural treasures of a region now inaccessible to most Western travellers. When Paul Fussell rediscovered The Road to Oxiana in his recent book Abroad, he whetted the appetite of a whole new generation of readers. In his new introduction, written especially for this volume, Fussell writes: Reading the book is like stumbling into a modern museum of literary kinds presided over by a benign if eccentric curator. Here armchair travellers will find newspaper clippings, public signs and notices, official forms, letters, diary entries, essays on current politics, lyric passages, historical and archaeological dissertations, brief travel narratives (usually of comic-awful delays and disasters), and--the triumph of the book--at least twenty superb comic dialogues, some of them virtually playlets, complete with stage directions and musical scoring.
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Published 14.12.2018

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Robert Byron by James Knox, published by John Murray in , remains the principal biographical source. In the same year, accompanied by his friend Christopher Sykes, but tormented by his unrequited love for Desmond Parsons, Byron set out on a journey to Persia and Afghanistan, by way of Jerusalem, Damascus and Baghdad, in search of the origins of Islamic architecture. After many vicissitudes, The Road to Oxiana the remote northern borderland of Afghanistan became the record of his month journey, a fabulous and intoxicating weave of surreal vignettes, journal entries and odd playlets. In these gorgeous pages, poetry, gossip and scholarship become braided into an exotic tapestry that dazzles as much today as it did on publication. As many critics have noted, unlike his contemporaries, such as Peter Fleming and Norman Douglas, Byron has not dated. In their different ways, each shares a veneration for The Road to Oxiana. In the same spirit, Byron was untroubled by the perils of his trip.

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Part I. Part II. Part III. Part IV. Part V.

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